MPSE Golden Reel Awards 2022 Nominees Announced

2022 MPSE Golden Reel Awards Nominees Announced

The Nominees for the 69th Annual MPSE Golden Reel Awards were announced this week, featuring a wealth of incredible sound designers and editors who have worked on some of the most exciting films, games and TV shows over the last year.

Krotos are proudly sponsoring the student awards for this years events and we are honoured to take part in doing so. See the lists for the awards on the links below.

Congratulations to all nominees!

MPSE Golden Reel Awards Nominees

Outstanding Achievement in Sound Editing – Animation Series or Short

Jurassic World – Camp Cretaceous: “Eye of the Storm” Netflix

Supervising Sound Editors: Rob McIntyre MPSE, D.J. Lynch Sound Designer: Evan Dockter, Marc Schmidt

Dialogue Editor: Anna Adams

Foley Editors: Aran Tanchum, Ezra Walker Foley Artist: Vincent Guisetti

Love, Death + Robots: “Snow in the Desert” Netflix

Supervising Sound Editor: Brad North MPSE Sound Designer: Craig Henighan MPSE Foley Editors: Jeff Gross, Dawn Lunsford Foley Artist: Alicia Stevens

Music Editor: Jeff Charbonneau

Star Trek: Lower Decks: “Strange Energies” Paramount+

Supervising Sound Editor: James Lucero

Sound Effects Editors: James Singleton, Mak Kellerman Dialogue Editor: Michael LaFerla

Foley Artist: Michael Britt

Star Wars: Visions: “The Duel” Disney+

Supervising Sound Editors: David W. Collins, Matthew Wood Sound Designer: David W. Collins

Sound Editor: Luke Dunn Gielmuda Foley Artist: Jana Vance

Star Wars: The Bad Batch: “Reunion” Disney+

Supervising Sound Editor: Matthew Wood Sound Designer: David W. Collins

Sound Editor: David W. Collins

Foley Editor: Frank Rinella

Foley Artist: Kimberly Patrick

Star Wars: A Galaxy of Sounds: “Excitement” Disney+

Supervising Sound Editor: David W. Collins

Sound Designers: Ben Burtt, David Acord, Ren Klyce, Tim Nielson, Chris Scarabosio, Tom Bellfort, Sam Shaw, Gary Rydstrom MPSE

Sound Editor: Matthew Wood

Outstanding Achievement in Sound Editing – Limited Series or Anthology

The Book of Boba Fett: “1.1” Disney+

Supervising Sound Editors: Matthew Wood, Bonnie Wild Sound Designer: David Acord

Sound Effects Editors: David Collins, Benjamin A. Burtt, Jon Borland ADR / Dialogue Editors: Angela Ang, Ryan Cota

Foley Editor: Alyssa Nevarez

Foley Artists: Ronni Brown, Andrea Gard, Sean England, Margie O’Malley Music Editor: Stephanie McNally

Loki: “Journey Into Mystery” Disney+

Supervising Sound Editors: David Acord, Matthew Wood Sound Effects Editors: Kyrsten Mate MPSE, Adam Kopald Supervising Dialogue Editor: Steve Slanec

ADR Editor: Brad Semenoff MPSE

Sound Designers: David Farmer MPSE, David Acord Foley Editor: Joel Raabe

Foley Artists: Shelley Roden MPSE, John Roesch MPSE Supervising Music Editor: Anele Onyekwere

Music Editors: Nashia Wachsman, Ed Hamilton

Mare of Easttown: “Illusions” HBO Max

Supervising Sound Editor: Bradley North MPSE Dialogue Editor: Tiffany S. Griffith

Sound Effects Editor: Jordan Wilby MPSE Foley Editor: Antony Zeller MPSE

Foley Artist: Zane Bruce

Music Editor: Stephanie Lowry

The Underground Railroad: Chapter 9: “Indiana Winter” Amazon Prime

Supervising Sound Editor: Onnalee Blank MPSE Sound Designers: Jay Jennings, Harry Cohen MPSE Sound Effects Editor: Luke Gibleon

Dialogue Editors: Chris Kahwaty MPSE, Katy Wood ADR Editor: Bryan Parker MPSE

Foley Editors: Pietu Korhonen, Lars Halvorsen Foley Artist: Heikki Kossi MPSE

Music Editor: John Finklea

Wandavision: “The Series Finale” Disney+

Supervising Sound Editors: Gwen Whittle MPSE, Kimberly Foscato ADR Supervisor: Matthew Wood

Sound Designer: Steve Orlando

Sound Effects Editors: Scott Guitteau, Jon Borland, Samson Neslund, Richard Gould Supervising Music Editor: Anele Onyekwere

ADR Editors: James Spencer, Chris Gridley Foley Editor: Luke Dunn Gielmuda

Music Editors: Fernand Bos MPSE, Tom Kramer

Foley Artists: Ronni Brown, Shelley Roden MPSE, John Roesch MPSE

The White Lotus: “Mysterious Monkeys” HBO Max

Supervising Sound Editor: Kathryn Madsen MPSE Supervising Dialogue Editor: Paul Hammond Sound Effects Editor: Mark Allen MPSE

Foley Artist: Stefan Fraticelli, Jason Charbonneau Music Editor: Mikael Sandgren

Outstanding Achievement in Sound Editing – Non-Theatrical Animation

Arcane – League of Legends: “When These Walls Come Tumbling Down” Netflix

Supervising Sound Editors: Brad Beaumont MPSE, Eliot Connors MPSE Supervising Music Editor: Alexander Temple

Supervising ADR Editor: Shannon Beaumont Foley Editor: Alexander Ephraim MPSE

Foley Artists: Dan O’ Connell, John Cucci MPSE Music Editor: Alex Seaver

Lego Star Wars: “Terrifying Tales” Disney+

Supervising Sound Editors: David W. Collins, Matthew Wood Sound Designer: David W. Collins

Sound Editors: Justin Doyle, Bonnie Wild Foley Editor: Frank Rinella

Foley Artists: Kimberly Patrick, Andrea Gard

Maya and the Three: “Chapter 9: The Sun and the Moon” Netflix

Supervising Sound Editor: Scott Martin Gershin MPSE Sound Designers: Chris Richardson, Andrew Vernon MPSE Sound Designer: Scott Martin Gershin MPSE

Sound Effects Editors: David Barbee MPSE, Masanobu “Tomi” Tomita Foley Artist: Dan O’Connell

Music Editor: Andres Locsey

What if…Doctor Strange Lost His Heart Instead of His Hands? Disney+

Supervising Sound Editor: Mac Smith

Sound Effects Editors: Bill Rudolph, Alyssa Nevarez Dialogue Editor: Cheryl Nardi

Supervising Music Editor: Anele Onyekwere Music Editor: Tom Kramer

Foley Artists: John Roesch MPSE, Shelley Roden MPSE

White Snake 2: “The Tribulation of the Green Snake” Netflix

Supervising Sound Editor: Gary Chen Sound Designer: Gary Chen

Sound Effects Editors: Wang Shuangshuang, Gary Chen, Mango Mok, Ji Hongrui, Irene Sun, Qiu Yi ADR Editors: Listen Zhang, Liu Huizhe, Zhang Geng

Foley Editors: Liu Huizhe, Cui Lin

Foley Artist: Wang Ziwei, Miao Yin, Zhang Jindong, Xin Shengnan

Outstanding Achievement in Sound Editing – Non-Theatrical Documentary

1971: The Year That Music Changed Everything: “Episode 1”

Apple TV+

Supervising Sound Editors: Andy Shelley, Stephen Griffiths Sound Effects Editors: Tae Hak Kim, Justin Dolby

Dialogue Editor: Claire Ellis

Foley Editors: Adam Oakley, Paolo Pavesi Music Editors: Dan Johnson, Nas Parkash Foley Artists: Zoe Freed, Rebecca Heathcote

The Beatles Get Back: “Part 3” Disney+

Supervising Sound Editors: Brent Burge, Martin Kwok

Sound Editors: Matt Stutter MPSE, Buster Flaws, Melanie Graham Dialogue Editor: Emile De La Rey

Music Editors: Steve Gallagher MPSE, Tane Upjohn-Beatson Foley Editor: Michael Donaldson

Foley Artist: Simon Riley

Bob Ross: Happy Accidents, Betrayal & Greed Netflix

Supervising Sound Editor: Trevor Gates Dialogue Editors: Ryan Briley, Taylor Jackson

Sound Effects Editors: Paul B. Knox, Russell Topal MPSE, Mark Coffey Foley Editor: Alex Jongbloed

Foley Artist: Tara Blume Music Editor: Liam Rice

Exterminate All the Brutes HBO / HBO Max

Sound Editors: Séverin Favriau, Emeline Aldeguer Dialogue Editor: Daniel Irribaren

Foley Artist: Vincent Maloumian

Formula 1: Drive to Survive: “Down to the Wire” Netflix

Supervising Sound Editors: Steve Speed, Nick Fry Sound Effects Editor: Hugh Dwan

Sound Designer: James Evans Dialogue Editor: Hugh Dwan

Life in Colour with David Attenborough: “Seeing in Color” Netflix

Supervising Sound Editor: Wayne Pashley MPSE

Sound Effects Editor: Paul Fisher

Foley Artists: Jonathon Cawte, Andy Devine, Richard Hinton Music Editor: James Dorman

McCartney 3, 2, 1 Hulu

Supervising Sound Editor: Jonathan Greber Sound Editor: Leff Lefferts

Dialogue Editors: E. Larry Oatfield, Bjorn Ole Schroeder Music Editor: Kim Foscato

Welcome to Earth Disney+

Supervising Sound Editor: Jay Price Sound Effects Editor: Jay Price Dialogue Editor: Tom Foster

Foley Editor: Stuart Bagshaw Music Editor: Ben Smithers

Outstanding Achievement in Sound Editing – Non-Theatrical Feature

Fear of Rain Hulu

Supervising Sound Editor: David Barber MPSE Foley Editor: David Kitchens MPSE

Sound Effects Editor: Ben Zarai Sound Designer: David Barbee, MPSE Foley Artist: Gonzalo “Bino” Espinoza ADR Editor: Michael Kreple

Fear Street: “Part Two – 1978” Netflix

Supervising Sound Editor: Trevor Gates Supervising Dialogue Editor: Jason Dotts

Sound Effects Editors: Matthew Thomas Hall, Russell Topal MPSE, Mark Coffey, Paul B. Knox Dialogue Editors: Kristen Hirlinger, Harrison Meyle

Foley Artist: Sandra Fox

Music Editor: Brett “Snacky” Pierce MPSE

The Ice Road Netflix

Supervising Sound Editor: Trip Brock MPSE

Sound Designer: Charles Maynes MPSE Supervising ADR Editor: Jacob Ortiz MPSE Dialogue Editor: Jackie Johnson

Sound Effects Editors: Raymond Park MPSE, Demetri Evdoxiadis Foley Artists: Lorita de la Cerna, G.W. Pope, III MPSE

Music Editor: Nicholas Fitzgerald

Infinite Paramount+

Supervising Sound Editors: Mandell Winter MPSE, David Esparza MPSE Sound Designer: Hamilton Sterling

Sound Effects Editor: Will Digby MPSE Dialogue Editors: Micah Loken MPSE, Sang Kim Foley Editor: Eryne Prine MPSE

Music Editor: Mark “Vordo” Wlodarkiewicz Foley Artists: Dan O’Connell, John Cucci MPSE

Oslo HBO Max

Supervising Sound Editor: Lewis Goldstein Supervising ADR Editor: Gina Alfano MPSE Sound Designer: Peter John Still

Sound Effects Editors: Alex Soto, Alfred DeGrand Dialogue Editor: Thomas Ryan

Foley Editor: Wen Tseng

Foley Artists: Leslie Bloome, Joanna Fang

Outstanding Achievement in Sound Editing – ½ Hour – Comedy or Drama

Hacks: “There Is No Line” HBO Max

Supervising Sound Editor: Brett Hinton Sound Effects Editor: Marc Glassman MPSE Dialogue Editor: Ryne Gierke

Foley Editor: Samuel Munoz Foley Artist: Noel Vought

Music Editor: Jason Tregoe Newman

The Kominsky Method: “The Round Toes, of the High Shoes” Netflix

Supervising Sound Editor: Lou Thomas

Sound Effects Editors: Mark Messick, TJ Jacques

Foley Editor: Clay Weber MPSE, Arno Stephanian MPSE Foley Artist: Sanaa Kelley, Matt Salib

Music Editor: Joe Deveau

Mythic Quest: “Everlight” Apple TV+

Supervising Sound Editor: Matthew E. Taylor Sound Designer: Pete Nichols

Sound Effects Editor: Matthew Wilson Dialogue Editor: Sean Heissinger Foley Editor: David Jobe

Foley Artists: Elizabeth Rainey, Jody Holwadel Thomas Music Editor: Joe Deveau

Only Murders in the Building: “The Boy From 6B” Hulu

Supervising Sound Editor: Mathew Waters Dialogue Editor: Danika Wikke MPSE Sound Effects Editor: Meredith Stacy Music Editor: Micha Liberman

Schmigadoon: “Suddenly” Apple TV+

Supervising Sound Editor: Cormac Funge Sound Effects Editor: Peter Nichols Dialogue Editor: John Green

Music Editor: Jessica Harrison Foley Editor: Dario Biscaldi Foley Artist: Lindsay Pepper

We Are Lady Parts: “Sparta” Peacock

Supervising Sound Editor: Jay Price Sound Editor: Tom Foster Dialogue Editor: Dario Swade Foley Editor: Sam Walsh

What We Do in the Shadows: “The Escape” FX

Supervising Sound Editor: Steffan Falesitch Sound Effects Editor: David Barbee MPSE

Dialogue Editor: Chris Kahwaty MPSE Foley Editors: John Guentner, Sam Lewis Foley Artist: Ellen Heuer

Music Editor: Steve Griffen

Outstanding Achievement in Sound Editing – Series 1 Hour – Dialogue / ADR

For All Mankind: “And Here’s to You” Apple TV+

Supervising Sound Editor: Vince Balunas MPSE Dialogue Editor: Vince Balunas MPSE

ADR Editor: Vince Balunas MPSE

The Handmaid’s Tale: “Vows” Hulu

Supervising Sound Editor: David McCallum MPSE Dialogue Editor: Krystin Hunter

The Morning Show: “My Least Favorite Year” Apple TV+

Supervising Sound Editor: Mark Relyea MPSE Supervising ADR Editor: Julie Altus

Dialogue Editor: Robert Guastini MPSE Supervising Dialogue Editor: Pernell Salinas

The Nevers: “Pilot” HBO Max

Supervising Sound Editor: Tim Kimmel MPSE Supervising ADR Editor: Tim Hands

Supervising Dialogue Editor: John Matter MPSE

Squid Game: “VIPS” Netflix

Supervising Sound Editors: Hye-Young Kang, Tae-Young Choi Supervising ADR Editor: Byung-In Kim

Supervising Dialogue Editor: Eun-Ji Ye

Star Trek Discovery: “Kobayashi Maru” Paramount+

Supervising Sound Editor: Matthew E. Taylor

Supervising Dialogue Editors: Sean Heissinger, Cormac Funge

ADR Editor: Cormac Funge

Succession: “Secession” HBO Max

Supervising Sound Editor: Nicholas Renbeck MPSE Dialogue Editor: Michael Feuser

ADR Editor: Angela Organ

Ted Lasso: “Rainbow” Apple TV+

Supervising Sound Editor: Brent Findley MPSE CAS Dialogue Editor: Bernard Weiser MPSE

Crowd Editor: Kip Smedley

Outstanding Achievement in Sound Editing – Series 1 Hour – Effects / Foley

Foundation: “The Emperor’s Peace” Apple TV+

Sound Designer: Tyler Whitham MPSE

Sound Effects Editors: Paul Germann, Dave Rose Foley Artist: Steve Baine

The Handmaid’s Tale: “Chicago” Hulu

Supervising Sound Editors: Jane Tattersall MPSE, David McCallum MPSE Sound Effects Editor: Brennan Mercer

Foley Editor: David Caporale, Davi Aquino Foley Artist: Sandra Fox

Lost in Space: “Trust” Netflix

Supervising Sound Editor: Branden Spencer MPSE Sound Designer: Benjamin Cook MPSE

Sound Effects Editors: Shaughnessy Hare, Brendan Croxon, Mark Hailstone Foley Artist: Paul Pirola

Squid Game: “VIPS” Netflix

Supervising Sound Editor: Hye-Young Kang Sound Designer: Ye-Jin Jo

Sound Effects Editor: Hye-Jin Yang

Foley Editor: Taek-Hyun Hong Foley Artist: Chung-Gyu Lee

Star Trek Discovery: “Kobayashi Maru” Paramount+

Supervising Sound Editors: Matthew E. Taylor, Michael Schapiro Sound Designers: Harry Cohen MPSE, Katie Halliday MPSE Sound Effects Editor: Andrew Twite

Foley Editor: Clay Weber MPSE

Foley Artists: Alyson Moore, Chris Moriana

Ted Lasso: “Beard’s Night Out” Apple TV+

Supervising Sound Editors: Brent Findley MPSE CAS, Bernard Weiser MPSE Sound Effects Editors: Kip Smedley, Mark Cleary

Foley Editors: Jordan McClain, Arno Stephanian MPSE Foley Artists: Sanaa Kelley, Matt Salib

The Witcher: “A Grain of Truth” Netflix

Supervising Sound Editor: Matthew Collinge

Sound Designers: Rob Turner, Alyn Sclosa, Rob Prynne Foley Editors: Adam Oakley, Rob Weatherall

Foley Artists: Zoe Freed, Rebecca Heathcote

Wu Tang: An American Saga: “Protect Ya Neck” Hulu

Supervising Sound Editor: Thomas E. de Gorter MPSE Sound Designer: Michael O’Conner

Foley Editors: Geordy Sincavage, Alex Jongbloed Foley Artists: Tara Blume, Monique Reymond

Outstanding Achievement in Sound Editing – Series 1 Hour – Music

Cobra Kai: “The Rise” Netflix

Music Editor: Andres Locsey

See: Rock-a-Bye Apple TV+

Music Editor: Dan Farkas

Squid Game: “Red Light, Green Light” Netflix

Music Editor: Jae-il Jung

Star Trek Discovery: “Kobayashi Maru” Paramount+

Supervising Music Editor: Moira Marquis Scoring Editor: Matea Prljevic

Ted Lasso: “Rainbow” Apple TV+

Supervising Music Editor: Richard David Brown Music Editor: Sharyn Gersh MPSE

The Witcher: “A Grain of Truth” Netflix

Music Editor: Arabella Winter MPSE

Wu Tang: An American Saga: “Protect Ya Neck” Hulu

Music Editor: Sebastian Zuleta

Outstanding Achievement in Sound Editing – Feature Animation

Encanto

Walt Disney Animation Studios

Supervising Sound Editor: Shannon Mills Supervising Dialogue Editor: Brad Semenoff MPSE Sound Designer: Nia Hansen

Sound Effects Editors: Samson Neslund, Justin Doyle, Cameron Barker, Qianbaihui Yang MPSE Dialogue Editor: Richard Quinn

Foley Editor: Alyssa Nevarez

Foley Artists: John Roesch MPSE, Shelley Roden MPSE Supervising Music Editor: Earl Ghaffari

Music Editors: Angie Rubin, Kendall Demarest MPSE

Luca

Pixar Animation Studios

Supervising Sound Editors: Chris Scarabosio, André Fenley Supervising Dialogue Editor: Rich Quinn

Supervising Foley Editor: Ronni Brown

Sound Effects Editors: Justin Doyle, Pascal Garneau Foley Editor: E. Larry Oatfield

Foley Artists: Jana Vance, Ronni Brown Music Editor: Lodge Worster

The Mitchells vs. the Machines Sony Pictures Animation

Supervising Sound Editor: Geoffrey G. Rubay Supervising ADR Editor: James Morioka Sound Designer: John Pospisil

Sound Effects Editors: Kip Smedley, Andy Sisul MPSE, Alec G. Rubay, Dan Kenyon, Greg Ten Bosch MPSE ADR Editor: Curt Schulkey

Foley Editor: Kai Scheer

Foley Artists: Gregg Barbanell MPSE, Rick Owens MPSE Music Editors: Dominick Certo MPSE, Barbara McDermott

Raya and the Last Dragon

Walt Disney Animation Studios

Supervising Sound Editor: Shannon Mills Supervising Dialogue Editor: Brad Semenoff MPSE Sound Designer: Nia Hansen

Sound Effects Editors: Samson Neslund, David C. Hughes, Cameron Barker Foley Editors: Chris Frazier, Steve Orlando

Foley Artists: John Roesch MPSE, Shelley Roden MPSE Supervising Music Editor: Jim Weidman

Music Editor: David Olson

Sing 2

Illumination / Universal Pictures

Supervising Sound Editor: Dennis Leonard Supervising Dialogue Editor: Jonathan Greber Supervising ADR Editor: Daniel Laurie

Sound Designer: Josh Gold

Sound Effects Editors: Lucas Miller, Benjamin A. Burtt Foley Editors: Shaun Farley MPSE, Jonathon Stevens Music Editors: Michael Connell, Charles Inouye

Outstanding Achievement in Sound Editing – Feature Documentary

Billie Eilish: The World’s a Little Blurry

Apple TV+

Supervising Sound Editor: Richard Yawn MPSE Music Editor: Michael Brake MPSE

Dialogue Editor: Rob Getty MPSE

Sound Effects Editor: Steven Avila MPSE Foley Editor: Shawn Kennelly

Foley Artists: Melissa Kennelly, Vince Nicastro

Flee NEON/Participant

Supervising Sound Editor: Edward Björner Dialogue Editor: Jens Johansson

Sound Designer: Fredrik Jonsäter

Foley Artists: Rune Van Deurs, Bengt Öberg

The Rescue Disney+

Supervising Sound Editor: Deborah Wallach Sound Effects Editor: Roland Vajs

Foley Artist: Nuno Bentro Music Editor: Ben Smithers

Summer of Soul (or, when the Revolution Could Not Be Televised) Searchlight Pictures

Supervising Sound Editor: Joshua L. Pearson Supervising Music Editor: Jimmy Douglass

VAL

Amazon Prime

Supervising Sound Editor: John Bolen Dialogue Editor: John Bolen

Sound Effects Editor: John Bolen Foley Editor: John Bolen

The Velvet Underground Apple TV+

Supervising Sound Editor: Leslie Shatz Music Editor: Jahn Sood

Outstanding Achievement in Sound Editing – Foreign Language Feature

Cliff Walkers Viki

Supervising Sound Editors: Yang Jiang MPSE, Zhao Nan MPSE ADR Editor: Li Xinghui

Foley Artist: Han Junsheng

Sound Editors: Ann Scibelli, Xiao’ou Olivia Zhang MPSE, Iain Pattison, Alan Rankin Sound Designer: Mark Stoeckinger

The Hand of God Netflix

Supervising Sound Editor: Silvia Moraes

A Hero Amazon Prime

Supervising Sound Editor: Mohammadreza Delpak Dialogue Editor: Mohammadreza Delpak

Sound Effects Editor: Mohammadreza Delpak

Titane NEON

Sound Editor: Séverin Favriau Foley Editor: Selia Çakir

Foley Artist: Céline Bernard

A Writer’s Oddyssey Netflix

Supervising Sound Editor: Xiao Sha Liu Supervising ADR Editor: Xiao Sha Liu Sound Designer: Gang Wang

Sound Effects Editors: Shuang Shuang Wang, Hong Rui Ji, Gang Wang, Ruo Qi Mo, Tobias Poppe, Zi Jian Jiang

Dialogue Editor: Zi Jin Foley Editor: Pei Ya Zhang

Foley Artists: Zi Wei Wang, Yin Miao Music Editor: Fei Yu

Outstanding Achievement in Sound Editing – Feature Dialogue / ADR

Dune Warner Bros.

Dialogue Editor: David Bach

Last Night in Soho Universal Pictures

Supervising Sound Editors: Dan Morgan, Julian Slater MPSE Supervising ADR Editor: Dan Morgan

The Matrix Resurrections Warner Bros.

Supervising Sound Editors: Stephanie Flack, Dane A Davis MPSE

Dialogue Editors: Marek Forreiter, Benjamin Hörbe, Dominik Schleier, Immo Trümpelmann

Nightmare Alley Searchlight Pictures

Supervising Sound Editor: Jill Purdy MPSE Supervising Dialogue Editor: Jill Purdy MPSE Supervising ADR Editor: Jill Purdy MPSE Dialogue Editor: Nelson Ferreira MPSE

No Time to Die MGM/United Artists

Supervising Dialogue & ADR Editors: Becki Ponting, Michael Maroussas Dialogue Editors: Rachael Tate MPSE, Adele Fletcher

Supervising Sound Editor: Oliver Tarney MPSE

The Power of the Dog Netflix

Supervising Dialogue & ADR Editor: Leah Katz

A Quiet Place Part II Paramount Pictures

Supervising Sound Editor: Ethan Van der Ryn

Supervising Dialogue & ADR Editors: Vanessa Lapato, Nancy Nugent Dialogue Editor: Matt Cavanaugh MPSE

The Tragedy of Macbeth Apple TV+

Supervising Sound Editor: Skip Lievsay Supervising Dialogue Editor: Michael Feuser

Outstanding Achievement in Sound Editing – Feature Effects / Foley

Belfast

Focus Features

Supervising Sound Editors: Simon Chase, James Mather Sound Editor: Tomas Blazukas

Foley Editor: Arthur Graley

Foley Artists: Sue Harding, Oliver Ferris

Dune Warner Bros.

Supervising Sound Editors: Theo Green, Mark Mangini MPSE Sound Designer: Dave Whitehead

Sound Effects Editors: Phil Barrie, Lee Gilmore MPSE, Greg Ten Bosch MPSE, Robert Kellough MPSE, Piero Mura

Foley Editor: Christopher Bonis

Foley Artists: Andy Malcolm, Goro Koyama, Sandra Fox

The Matrix Resurrections Warner Bros.

Supervising Sound Editors: Dane A. Davis MPSE, Stephanie Flack

Sound Effects Editors: Bryan O. Watkins, Jeremy Peirson, Markus Stemler, Michael Schapiro, Eric Lindemann, Albert Gasser MPSE, Laurent Kossayan MPSE, Caron Weidner

Foley Editors: Frank Kruse, Kuen Il Song Foley Artists: Daniel Weiss, Carsten Richter

Nightmare Alley Searchlight Pictures

Supervising Sound Editor: Nathan Robitaille MPSE Sound Effects Editor: Dashen Naidoo

Foley Editor: Chelsea Body

Foley Artists: Goro Koyama, Andy Malcolm

No Time to Die MGM/United Artists

Supervising Sound Editors: Oliver Tarney MPSE, James Harrison Sound Designers: Bryan Bowen, Eilam Hoffman, Michael Fentum Sound Effects Editor: Dawn Gough

Foley Editor: Hugo Adams

Foley Artists: Sue Harding, Andrea King

A Quiet Place Part II Paramount

Supervising Sound Editors: Ethan Van der Ryn, Erik Aadahl MPSE

Sound Designers: Malte Bieler, Brandon Jones

Sound Effects Editors: Chris Diebold, Matt Cavanaugh MPSE Foley Editor: Jonathan Klein

Foley Artists: Steve Baine, Peter Persaud

Spider-Man: No Way Home Sony Pictures

Supervising Sound Editors: Steven Ticknor MPSE, Vanessa Lapato Sound Designers: Anthony Lamberti, Ken McGill, Chris Diebold

Sound Effects Editors: Sam Fan, Jamie Hardt MPSE, Justin M. Davey, Takako Ishikawa, Chris Jacobson Foley Supervisor: Jessica Parks

Foley Editor: Samuel Nacach

Foley Artists: Gary Hecker MPSE, Adam DeCoster

Outstanding Achievement in Sound Editing – Feature Music

Dune Warner Bros.

Supervising Music Editors: Clint Bennett, Ryan Rubin Music Editor: Peter Myles

Ghostbusters: Afterlife Sony Pictures

Supervising Music Editor: Curt Sobel

In the Heights Warner Bros.

Music Editors: Jim Bruening, Jennifer Dunnington, Ben Holiday

The Matrix Resurrections Warner Bros.

Supervising Music Editor: Gabriel Isaac Mounsey Music Editors: Hans Hafner, Jonathan Levi Shanes

Nightmare Alley Searchlight Pictures

Music Editors: Clint Bennett, Kevin Banks MPSE Scoring Editor: Cecile Tournesac

A Quiet Place Part II Paramount

Music Editors: Jim Schultz, Nancy Allen MPSE, Del Spiva MPSE, Ramiro Belgardt

tick tick…BOOM! Netflix

Music Editors: Nancy Allen MPSE, John Davis, Bri Holland

West Side Story

20th Century Studios

Music Editors: Joe E. Rand, Ramiro Belgardt Scoring Editor: David Channing

Outstanding Achievement in Sound Editing – Game Audio

The Ascent Neon Giant

Audio Director : Samuel Justice

Audio Leads: Stefan Rutherford, Joe Thom Supervising Sound Editor: Csaba Wagner

Sound Designers: Lee Banyard, Michael Benzie, Jordan Lee Colins, Luke Hatton, Joe Hudson, Jason W. Jennings, Michael Leaning, Barney Oram, Jack Raeburn, Stephano Sanchinelli, Chris Sweetman, John Tennant, Graham Donnelly, Eilam Hoffman

Call of Duty: Vanguard Sledgehammer Games

Audio Director: David Swenson MPSE

Audio Leads: Matthew Grimm, Ryan McSweeney, Michael Caisley, Eric Wedemeyer Supervising Sound Editors: Charles Deenen MPSE, Nick Interlandi, Nick Martin Supervising Dialogue Editor: Emilio Lopez-Centellas, Adam Boyd MPSE, Hilary Long Supervising Music Editors: Ted Kocher, Anthony Caruso

Sound Designers: Kegan Chau, Fernando Labarthe, Sheridan Willard, Tyler Cannan, Michael Tornabene, Peter Wayne, Liam Underwood, Don Veca, Jeremiah Sypult, Andy Bayless, Darren Blondin, Nicholas D’Amato, Jacob Denny, Jacob Harley, Vadim Nuniyants, Timothy Schlie, Aaron Brown, Ian Mika, Tory Bader, Corina Bello, Darrell Tung, Jonathan Gosselin, Nick Tremblay, Mathieu Denis, Mikael Frithiof, Jon Persson, Braden Parkes, Erick Ocampo, Mike Maksim, Matt Hall, Chris Diebold, Jeff Sawyer, Josh Moore, Igor Comes, Tim Gedemer MPSE, Klaus Shipman, Jim Schaefer, Rashaad Wiggins

Sound Editors: Daniel Petras, Jordan Ruhala, Matthew Schaff MPSE

Dialogue Editors: Robert Jackson, Maggie Wolf, Alvaro Vela, Serge J. Isaac, Stiv Schneider, Juliana Henao Mesa, David Price

Music Editors: Scott Shoemaker, Tao-Ping Chen, Adam Kallibjian, Rob Goodson, Andrew Buresh Foley Artist: Foley Walkers

Halo Infinite

Xbox Game Studios

Audio Director: Sotaro Tojima

Audio Leads: Kyle Fraser, Jomo Kangethe, Robbie Elias, Chase Thompson, Jeramy Koepping Supervising Sound Editors: Samuel Justice, Csaba Wagner

Supervising Dialogue Editors: Joshua Bandy, Emma Emrich Supervising Music Editor: Joel Yarger

Sound Designers: Noa Lothian, Daniel Raimo, Pax Helgesen, Nick D’Amato, Gary Spinrad MPSE, Michael Leaning, Stefan Rutherford, Mitchell Osias, Bryan O. Watkins, Andrew Lackey, Laura Taylor, David Farmer MPSE, Adam Boyd MPSE, Graham Donnelly, John Loranger MPSE, Barney Oram, Frank Petreikis, Austin Shannon, Chris Sweetman, Matthew Wesdock, Robert Blake, Paul Hackner MPSE, Ian Savage Sound Effects Editors: Zeke Fenelon, Stephen Brown, Adam Croft, Joshua Du Chene, Thornton Prime VI, Kochun Hu, Ben Kersten, Spencer Riedel, Henry Halvorson

Foley Artists: John Roesch MPSE, Alyson Dee Moore, Christopher Moriana, Bogdan Zavarzin Dialogue Editors: Monet Gardiner, Garrett P. Montgomery MPSE, Daniel P. Francis MPSE, Peret Von Sturmer, Carlon Jesse Assells, Matt Klimek MPSE

Music Editors: Colin Andrew Grant, Cameron Konner

Ratchet & Clank: A Rift Apart Insomniac Games

Audio Director: Paul Mudra

Audio Leads: Daniel Birczynski, Jamie McMenamy Audio Lead – Cinematics: Dwight Okahara Dialogue Lead: Patrick Michalak

Supervising Sound Designers: Emile Mika, Csaba Wagner, Samuel Justice

Sound Designers: David Yingling, Blake Johnson, Jeff Dombkowski, Brooke Yap, Daniele Carli MPSE, Tyler Cornett, Tyler Hoffman, Christian Kjeldsen, Jeff Darby, Zack Bogucki, Aaron Sanchez, Kei Matsuo MPSE, David Goll, Adam Lidbetter, Alex Previty, Erik Buensuceso, Casey Slocum, Rob Castro, Gregory McCoach, Andres Herrera, Maria Rascon, Nathaniel Bonisteel, Noburo Masuda, Keiichi Kitahara, Graham Donnelly, David Farmer, Eilam Hoffmann, Jay Jennings

Sound Editors: Paul Hackner, Barney Oram, Stephano Sanchinelli, Igor Comes, Bryan Jerden Additional In-Game Sound Design: Chris Sweetman, Samuel Justice, Barney Oram, Csaba Wagner

Dialogue Editors: Keith Asack, Michelangelo Muscariello, Evan Hodick, Matthew Strasser, Jaime Marcelo, Ryan Schaad, Tim Schumann

Supervising Music Editor: Scott Hanau

Music Editors: Andrew Buresh, Anthony Caruso, Ernest Johnson, James Zolyak, Justin Lieberman, Nicholas Mastroianni, Rob Goodson, Scott Bergstrom, Tao-Ping Chen, Ted Kocher, Tyler Crowder

Star Wars: Tales from the Galaxy’s Edge – Last Call Oculus Quest

Supervising Sound Editors: Michael Brinkman, Paul Stoughton, Kevin Bolen Sound Designers: Bill Rudolph, Jonathan Do, Andy Martin

Dialogue Editors: Ryan Cota, Chris Gridley Music Editor: Clark Rhee

Foley Artists: Ronni Brown, Jana Vance, Shelley Roden MPSE, John Roesch MPSE

Outstanding Achievement in Sound Editing – Student Film (Verna Fields Award)

Build Me Up

The National Film and Television School

Supervising Sound Editor: Wong Hui Grace

Cocon

Netherlands Film Academy

Supervising Sound Editor: Freija Hogenboom Sound Effects Editor: Camiel Povel

Foley Artist: Annika Epker

Do Not Feed the Pigeons

The National Film and Television School

Supervising Sound Editor: Joe De-Vine

The Many Faces of Ava

The National Film and Television School

Supervising Sound Editor: Dominika Latusek

Night of the Living Dread

The National Film and Television School

Supervising Sound Editor: Miles Sullivan

Other Half

The National Film and Television School

Supervising Sound Editor: Zoltán Kadnár

Pressure

The National Film and Television School

Supervising Sound Editor: Antek Rutczynski

Échale Ganas, The Villa’s Tacos Story Chapman University

Supervising Sound Editor: Mingxin Qiguan

Sound Designer: Mingxin Qiguan

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